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Author: Lara Rose

Like a Woman: Gender Confusion in The Merry Wives of Windsor and Who’s the Dupe?

Like a Woman: Gender Confusion in The Merry Wives of Windsor and Who’s the Dupe?

This is a post in a series authored by our collaborators on the Intertextual Networks project. For more information, see here. By Tabitha Kenlon, Assistant Professor at the American University in Dubai My previous post explored eighteenth-century British playwright Hannah Cowley’s references to and borrowings from William Shakespeare in her A Bold Stroke for a Husband. That play contains a direct reference to Taming of the Shrew and features a cross-dressed heroine and a love quadrangle that seems to have been inspired by…

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Investigating Crime in the Vector Space of Early Modern Women’s Writing

Investigating Crime in the Vector Space of Early Modern Women’s Writing

by Lara Rose, PhD Student: Literature, Northeastern University This post is part of the Women Writers Project sub-project that explores the intersection of text encoding and text analysis using word embedding models. For brief explanations and early explorations, please see this post by Elizabeth Polcha, and this post by Jonathan Fitzgerald. “When a woman killed her husband, it was petty treason—a crime against the nation—When a man killed his wife, it was only murder.” -Professor Marina Leslie, on gender and…

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