The quotations, citations, and other references made by women writers in the WWO collection.
| Source Text(definition of “Source text”) | Gesture(definition of “Intertextual gesture”) | Referenced Work(definition of “Referenced work”) | |||
|---|---|---|---|---|---|
| Text | Topics & Genres (definition of “Topic”) | Text of the Gesture | Gesture Type (The Terminology page on “”) | Text | Topics & Genres (definition of “Topic”) |
| Barbauld, Anna Laetitia (Aikin). The Works of Anna Laetitia Barbauld. | Miscellany | Dirge | title | Barbauld, Anna Laetitia (Aikin). “Dirge.” The Works of Anna Laetitia Barbauld. 1826. | |
| Barbauld, Anna Laetitia (Aikin). The Works of Anna Laetitia Barbauld. | Miscellany | the Dirge | title | Barbauld, Anna Laetitia (Aikin). “Dirge.” The Works of Anna Laetitia Barbauld. 1826. | |
| Behn, Aphra (Johnson). The Emperor of the Moon. 1687. | Sawny | title | Sawney Bean. | Folk song | |
| Benger, Elizabeth Ogilvy. The Female Geniad. 1791. | Poetry | Silver Tankard | title | Craven, Lady Elizabeth. Songs, Duets, Trios, & in The Silver Tankard; or, Point at Portsmouth. 1781. | Folk song |
| Benger, Elizabeth Ogilvy. The Female Geniad. 1791. | Poetry | Silver Tankard | title | Craven, Lady Elizabeth. Songs, Duets, Trios, & in The Silver Tankard; or, Point at Portsmouth. 1781. | Folk song |
| Bryan, Mary (Langdon). Sonnets and Metrical Tales. 1815. | Lyrical Ballads, | title | Wordsworth, William. Lyrical Ballads. 1798. | ||
| Bryan, Mary (Langdon). Sonnets and Metrical Tales. 1815. | “Three years she grew in sun and shower.” | quote | Wordsworth, William. “Three years she grew in sun and shower.” Lyrical Ballads. 1798. | ||
| Cary, Elizabeth (Tanfield), Viscountess Falkland. The History of the Most Unfortunate Prince King Edward II. 1680. | Biography | Apollo's Banquet for the Treble-Violin | title | Playford, John. Apollo's Banquet. 1690. | Folk song |
| Cary, Elizabeth (Tanfield), Viscountess Falkland. The History of the Most Unfortunate Prince King Edward II. 1680. | Biography | The Treasury of Music | title | Playford, John. The Treasury of Musick: Containing Ayres and Dialogues to Sing to the Theorbo-lute Or Basse-viol. 1669. | Folk song |
| Cary, Elizabeth (Tanfield), Viscountess Falkland. The History of the Most Unfortunate Prince King Edward II. 1680. | Biography | Choice Ayres, Songs, and Dialogues | title | Choice Ayres, Songs, and Dialogues. 1676. | Folk song |
| Cary, Elizabeth (Tanfield), Viscountess Falkland. The History of the Most Unfortunate Prince King Edward II. 1680. | Biography | The Musical Companion | title | The Musical Companion. | |
| Cary, Elizabeth (Tanfield), Viscountess Falkland. The History of the Most Unfortunate Prince King Edward II. 1680. | Biography | The Introduction to the Skill of Music | title | Playford, John. A Brief Introduction to the Skill of Music. 1654. | |
| Cassan, Sarah (Mears). Poems. 1806. | Poetry | O my Kitten. | title | Swift, Jonathan. Oh! My Kitten! | Folk song |
| Cassan, Sarah (Mears). Poems. 1806. | Poetry | Heavy Hours. | title | Lyttelton, George. “Song, Written in the Year 1733.” The Poetical Works of George Lord Lyttelton. 1801. | Folk song |
| Cavendish, Margaret (Lucas), Duchess of Newcastle. “The Comical Hash.” Plays. 1662. | Doctor Faustus that gave his Soul away to the Devill | title | The Tune of Doctor Faustus. | Folk song | |
| Cavendish, Margaret (Lucas), Duchess of Newcastle. “The Public Wooing.” Plays. 1662. | Drama | “Cuckolds all a row.” | quote | Playford, John. “Cuckholds All a Row.” English Dancing Master. 1651. | Folk song |
| Cavendish, Margaret (Lucas), Duchess of Newcastle. “The Sociable Companions; or, The Female Wits.” Plays Never Before Printed. | Crumbs of Comfort | title | Anonymous. Crumbs of Comfort. 1680. | Folk song | |
| Chalmers, Margaret. Poems. 1813. | Poetry | “Britannia rule, Britannia rule the main.” | adaptation | Thomson, James. “Rule, Britannia.” Alfred: A Masque. 1740. | Folk song |
| Chalmers, Margaret. Poems. 1813. | Poetry | Lunardi's gone up to the Moon | title | Lunardi's Gone Up to the Moon. | Folk song |
| Chalmers, Margaret. Poems. 1813. | Poetry | Yellow Hair'd Laddie | title | The Yellow Haired Laddie. 1804. | Folk song |
| Chalmers, Margaret. Poems. 1813. | Poetry | Alloa House | title | Oswald, James. Alloa House. | Folk song |
| Chalmers, Margaret. Poems. 1813. | Poetry | Lord Bothwell | title | [unknown]. Earl Bothwell. | Folk song |
| Chalmers, Margaret. Poems. 1813. | Poetry | “We never shall be slaves.” | quote | Thomson, James. “Rule, Britannia.” Alfred: A Masque. 1740. | Folk song |
| Chalmers, Margaret. Poems. 1813. | Poetry | Foula reel | title | Foula Reel. | Folk song |
| Chalmers, Margaret. Poems. 1813. | Poetry | The Shaalds of Foula | title | Foula Reel. | Folk song |
| Chalmers, Margaret. Poems. 1813. | Poetry | Foula Reel | title | Foula Reel. | Folk song |
| Chalmers, Margaret. Poems. 1813. | Poetry | “Britannia rule the waves.” | quote | Thomson, James. “Rule, Britannia.” Alfred: A Masque. 1740. | Folk song |
| Chalmers, Margaret. Poems. 1813. | Poetry | “We'll drink a gude fishing against the next year, And the Shaalds will pay for a', boys.” | quote | Foula Reel. | Folk song |
| Chalmers, Margaret. Poems. 1813. | Poetry | Foula Reel | title | Foula Reel. | Folk song |
| Chalmers, Margaret. Poems. 1813. | Poetry | Old Reel | title | Foula Reel. | Folk song |
| Chandler, Elizabeth Margaret. The Poetical Works of Elizabeth Margaret Chandler. 1836. | Poetry | “auld lang syne,” | quote | Burns, Robert. Auld Lang Syne. 1788. | |
| Chandler, Elizabeth Margaret. The Poetical Works of Elizabeth Margaret Chandler. 1836. | Poetry | “auld lang syne,” | quote | Burns, Robert. Auld Lang Syne. 1788. | |
| Cheney, Harriet Vaughan (Foster). A Peep at the Pilgrims. 1824. | Novel | “Scenes of woe and scenes of pleasure, Scenes that former thoughts renew, Scenes of woe and scenes of pleasure, Now a last and sad adieu!” | quote | Burns, Robert. Farewell to Ayrshire. | |
| Cheney, Harriet Vaughan (Foster). A Peep at the Pilgrims. 1824. | Novel | Burns. | citation | Burns, Robert. Farewell to Ayrshire. | |
| Cheney, Harriet Vaughan (Foster). A Peep at the Pilgrims. 1824. | Novel | “Ah! si vous pouviez comprendre Ce que je ressens pour vous, L'amour même n'a rien si tendre, Ni l'amitie de si doux. Loin de vous, mon cæur soupire, Pres de vous, je suis interdit; Voila ce que j'ai a vous dire, Helas! peut-etre, ai je trop dit!” | quote | Hook, James. How Imperfect is Expression. | Folk song |
| Cheney, Harriet Vaughan (Foster). A Peep at the Pilgrims. 1824. | Novel | New-England Song. | citation | Oswald, James. Come Haste to the Wedding. 1759. | Folk song |
| Cheney, Harriet Vaughan (Foster). A Peep at the Pilgrims. 1824. | Novel | “Oh why should fate sic pleasure have, Life's dearest bands entwining? Or why sae sweet a flower as love, Depend on Fortune's shining?” | quote | Burns, Robert. O Poortith Cauld and Restless Love. 1800. | Folk song |
| Cheney, Harriet Vaughan (Foster). A Peep at the Pilgrims. 1824. | Novel | Burns. | citation | Burns, Robert. O Poortith Cauld and Restless Love. 1800. | Folk song |
| Child, Lydia Maria (Francis). An Appeal in Favor of that Class of Americans Called Africans. 1833. | Political writing | “Welcome, welcome, brother debtor.” | quote | Coffey, Charles. Welcome Brother Debtor. | Folk song |
| Clark, Emily Frederick. “The Esquimaux; or, Fidelity (vol. 1).” The Esquimaux; or, Fidelity. 1819. | Novel | “Sum up All | title | Sum Up All: A Song. | Folk song |
| Clark, Emily Frederick. “The Esquimaux; or, Fidelity (vol. 1).” The Esquimaux; or, Fidelity. 1819. | Novel | Sum up All | title | Sum Up All: A Song. | Folk song |
| Clark, Emily Frederick. “The Esquimaux; or, Fidelity (vol. 1).” The Esquimaux; or, Fidelity. 1819. | Novel | Sum up All | title | Sum Up All: A Song. | Folk song |
| Clarke, Mary (Carr). Sarah Maria Cornell; or, The Fall River Murder. | Yankee Doodle, | title | Yankee Doodle. | Folk song | |
| Cushing, Caroline Elizabeth (Wilde). Letters, Descriptive of Public Monuments, Scenery, and Manners in France and Spain (vol. 1, France). 1832. | Melodies | title | Moore, Thomas. Melodies. 1859. | Folk song | |
| Cushing, Caroline Elizabeth (Wilde). Letters, Descriptive of Public Monuments, Scenery, and Manners in France and Spain (vol. 1, France). 1832. | “Long be my heart with thy memory filled, Like the vase in which roses have once been distill'd; You may break, you may ruin the vase if you will; But the scent of the roses will hang round it still.” | quote | Moore, Thomas. Melodies. 1859. | Folk song | |
| Cushing, Caroline Elizabeth (Wilde). Letters, Descriptive of Public Monuments, Scenery, and Manners in France and Spain (vol. 1, France). 1832. | “Weep not for her, whom the veil of the tomb In life's happy morning has hid from our eyes, Ere sin threw a blight o'er the spirit's young bloom, Or earth had profaned what was born for the skies.” | quote | Moore, Thomas. Melodies. 1859. | Folk song | |
| Cushing, Caroline Elizabeth (Wilde). Letters, Descriptive of Public Monuments, Scenery, and Manners in France and Spain (vol. 1, France). 1832. | “It is not the tear at this moment shed, When the green turf has just been laid o'er her, That can tell how beloved is the soul that is fled, Or how deep in our hearts we deplore her.” | quote | Moore, Thomas. Melodies. 1859. | Folk song | |
| Cushing, Eliza Lanesford (Foster). “Saratoga; a Tale of the Revolution (vol. 1).” Saratoga. 1824. | Novel | “Oh that fairy form is ne'er forgot Which first love traced; Still it lingering haunts the greenest spot In memory's waste.” | quote | Moore, Thomas. Melodies. 1859. | Folk song |
| Cushing, Eliza Lanesford (Foster). “Saratoga; a Tale of the Revolution (vol. 1).” Saratoga. 1824. | Novel | Moore. | citation | Moore, Thomas. Melodies. 1859. | Folk song |
| Cushing, Eliza Lanesford (Foster). “Saratoga; a Tale of the Revolution (vol. 1).” Saratoga. 1824. | Novel | ‘God save the King,’ | quote | God Save the King. | Folk song |