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Registration is Now Open for Two WWP Workshops

Registration is Now Open for Two WWP Workshops

Registration is open for two upcoming TEI seminars offered by the Women Writers Project and the Digital Scholarship Group at the Northeastern University Library. The first workshop, Introduction to TEI, will be held on February 17th–18th. The second workshop, TEI Customization, will be held on April 7th–8th. Northeastern University will host both of the seminars. The cost for each is $450 (students and TEI members, $300). Registration is free for members of the Northeastern University community. For more information and to register, please visit our workshops and seminars page.

Introduction to TEI offers an intensive exploration of scholarly text encoding, aimed at an audience of humanities scholars, archivists, and digital humanists. Through a combination of hands-on practice, presentation, and discussion, participants will work through the essentials of TEI markup and consider how markup languages make meaning and support scholarship in the digital age. No prior experience is necessary. Topics covered include:

  • Text markup languages as an instrument of humanities scholarship
  • Basics of TEI markup: essential text structures and genres
  • Advanced TEI markup: editorial markup and commentary, details of physical documents, complex structures
  • Contextual information and metadata

The schedule for this workshop is available hereRegister here by February 10, 2017.

The TEI Customization seminar will introduce participants to the central concepts of TEI customization and to the language (a variant of the TEI itself) in which TEI customizations are written. When properly planned, the TEI customization process can make a huge difference to the efficiency of a TEI project and the quality and longevity of its data. Good customizations capture the project’s specific modeling decisions, and ensure consistency in the data, while retaining as much interoperability and mutual intelligibility with other TEI projects and tools as possible. Customization also contributes importantly to the process of data curation, both at the time of data creation and later in the project’s life cycle. Topics covered include:

  • Background on how the TEI schema is organized
  • Essentials of the TEI’s customization language
  • Using Roma to generate schemas and documentation
  • Designing a schema for your project: data constraint, work flow, and long-term maintenance
  • Conformance and interoperability

The schedule for this workshop is available hereRegister here by April 1, 2017.

We hope to see you there!

Prototype Visualizations for Cultures of Reception

Prototype Visualizations for Cultures of Reception

We will soon be publishing an exploratory interface for the more than 600 reviews, advertisements, and other periodical items that we’ve encoded for our Cultures of Reception project—which explores how the authors in Women Writers Online were discussed in periodicals from 1770 to 1830. In preparation for that interface, we’re also working with Steven Braun, the Data Analytics and Visualization Specialist in the Northeastern University Library’s Digital Scholarship Group, to set up some visualizations that will help to highlight patterns across the texts in the collection.

Steven recently sent a few prototype visualizations to us and we wanted to share those here, since we’re really excited about them. Essentially, the reviews in Cultures of Reception are tagged by their evaluations, running from “very positive” to “very negative.” The visualizations Steven designed show variations in individual authors’ reception over time by mapping each possible evaluation to an integer value and plotting those evaluations over the course of each author’s lifetime. Positive evaluations are represented by dark green circles (on the upper y-axis), negative evaluations are represented by dark red circles (on the lower y-axis), and partial gradations are colored accordingly in between. Each circle represents a cluster of reception evaluations at that point in time and the size of each circle is proportional to the number of evaluations.

For example, here’s Maria Edgeworth, who was very widely reviewed over a fairly long period of time; her reviews are usually positive, but there are a few negative responses:m_edgeworth-evals

And here’s Charlotte Smith, who received more positive responses overall: c_smith-evals

Mary Darby Robinson, by contrast, has a narrower timeframe, with a particularly notable dip in review positivity around 1800 (in responses to The Natural Daughter):


Finally, here’s the collection as a whole:


When we publish the exploratory interface (which should be very soon!), we’ll be including more evaluation visualizations like these, along with others that will show the geographic ranges of periodicals and reviewed texts, the topics covered in the collection, the circulation of reviews and editions—and quite a few more. So, if you’re interested in the reception of eighteenth-and nineteenth-century women’s texts (or in transatlantic periodical cultures, publication practices, literary circulation, &c.), watch for the publication announcement here and on our website—and, in the meantime, we hope you enjoy these visualizations!